Aug 5, 2021 · i've been learning to mix tracks and i've been told to keep it below -3db to leave headroom for mastering. is this a good idea or completely ...
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Aug 23, 2010 · The right level depends on the crest factor of your signal (Wikipedia says 12–18 dB for a processed mix or 18–20 dB for unprocessed recording), ...
Frequencies sound the flattest at around 85 dB, and that's where many engineers like to work. But keep in mind, that number pertains to larger, professional mix ...
Duration: 4:05
Posted: Oct 15, 2021
Posted: Oct 15, 2021
Jul 18, 2002 · 85 dB is what I've always heard. You ears perceive sound differently at different volumes, and at low volumes, you don't hear bass as well-hense ...
Aug 24, 2018 · Simple answer that works - first, set your speakers so that pink noise at -20dBFS average (or LKFS if measured with a loudness meter) is equal ...
Duration: 33:30
Posted: Jul 18, 2022
Posted: Jul 18, 2022
Jul 30, 2019 · Your final mix should have levels peaking between -6.0 dB and -3.0 dB. Most ... mix to sound consistent across different headphones and speakers.
May 22, 2011 · I find a lot of conflicting info regarding this, and I'm sure there's no specific rule, but I would like to have some guidelines to follow.