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Frequencies sound the flattest at around 85 dB, and that's where many engineers like to work. But keep in mind, that number pertains to larger, professional mix ...
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Aug 23, 2010 · The right level depends on the crest factor of your signal (Wikipedia says 12–18 dB for a processed mix or 18–20 dB for unprocessed recording), ...
Jul 18, 2002 · 85 dB is what I've always heard. You ears perceive sound differently at different volumes, and at low volumes, you don't hear bass as well-hense ...
Jul 30, 2019 · Creating a Pre-Master: Most mastering engineers are happy when I send mixes that peak at around -5 to -3. Whatever peak I choose, ...
May 22, 2011 · I find a lot of conflicting info regarding this, and I'm sure there's no specific rule, but I would like to have some guidelines to follow.
Aug 24, 2018 · Simple answer that works - first, set your speakers so that pink noise at -20dBFS average (or LKFS if measured with a loudness meter) is equal ...
Apr 21, 2017 · Mastering is more like surgery where the work is more precise, and you're narrowed down to making only two tracks sound they're best.